Christian Fenger · An open archive under construction

Hub 87 | 27

The hub of the project: photographs, documents, interviews and tips from Eberswalde, Berlin and Maputo in one place.

Young men from Mozambique posing on the steps in front of the dormitory in Eberswalde

The pictures get their story back

87 | 27 connects the years in which the pictures were taken with the present in which they return: to Eberswalde, where they were taken, and to Maputo, to the people who appear in them.

How the hub works

Back in Eberswalde, large and public.

Eberswalde ↗

Where the pictures were taken

HUB has two levels. In today’s usage, a hub is a junction. This is where the threads of the project come together: Fenger’s photo albums, files, interviews from Maputo and every new tip.

At the same time, HUB refers to the language of the GDR administration, where the housing of foreign workers was recorded as Heimunterkunft or Heimunterbringung, accommodation in a hostel. For the men from Mozambique, this was the workers’ dormitory of VEB Walzwerk Eberswalde-Finow at Leninstraße 108 in Eberswalde: assigned by the company, monitored, with rules for visits and leisure time. In the dormitory, the Kulturbund photo club ran a darkroom, where Christian Fenger developed his films and made his prints. Many of his pictures were also taken there.

87

1987: The first workers from Mozambique arrive at the rolling mill, and in January Christian Fenger begins to photograph them.

27

2027: 40 years later. By then, the group’s story should be reconstructed as fully as possible.

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The line separates and connects: then and now, Eberswalde and Maputo.

Christian Fenger workspace

Newspaper page “Zehn Jahre Regierungsabkommen” (Ten years of the government agreement) from the plant newspaper “Walzwerker,” 1989, with photos of a ceremonial assembly and a group of Mozambican workers in front of a portal

The Christian Fenger workspace is the project’s internal work area. It holds research, documentation and material in preparation: digitized photographs, documents, transcripts, interview recordings and notes, including personal data and information that has not yet been verified.

That is why access is password-protected. The password is available on request. Whatever has been checked and approved in the workspace appears here on the website.

To the workspace ↗

Request the password ↗

The struggle for recognition and compensation

On September 30, 2024, Evelyn Zupke, the Federal Commissioner for the Victims of the SED Dictatorship at the German Bundestag, and the German Institute for Human Rights presented a demand at the Federal Press Conference in Berlin that former workers from Mozambique have been waiting for since 1990: compensation for their years in the GDR.

Hall of the Federal Press Conference, Berlin, September 30, 2024
Evelyn Zupke (left), David Macou and Michael Windfuhr (right) on the podium of the Federal Press Conference, September 30, 2024

Between 1979 and the end of 1989, 22,161 women and men from Mozambique entered the GDR to work in its companies, including at VEB Walzwerk Eberswalde-Finow. The 1979 government agreement provided for part of their wages to be withheld and paid out in Mozambique after their return. Between 25 and 60 percent was withheld. The money went into the GDR state budget and was offset against Mozambique’s debts. Most of them never received it. Their contributions to the GDR social insurance system also never turned into pensions.

Milestones since 1990

July 30, 1990

Dismissal

83 Mozambicans at the Eberswalde-Finow rolling mill are dismissed with notice, even before the Unification Treaty.

Sept. 1990

Departure

The first men of the Eberswalde group return to Mozambique.

Dec. 1990

Protest

First protest march by the Madgermanes outside the Ministry of Labor in Maputo.

1995

Magdeburg

First Magdeburg conference on the outstanding wage claims.

Sept. 2003

Maputo

During a demonstration in Maputo, Virgílio A. is shot dead by the police.

2004

Embassy

41 former workers occupy the German embassy in Maputo.

2019

Magdeburg Memorandum

Second Magdeburg conference, “Respect and Recognition.”

9/30/2024

Federal Press Conference

The Madgermanes renew their demands in Berlin.

The basis was an appeal dated August 5, 2024. It calls for unbureaucratic, flat-rate compensation, graded by the length of the contract and of the stay, combined if possible with a solution for the outstanding pension claims. The figure under discussion was 4,000 to 6,000 euros per person, some 50 million euros in total. The appeal is supported by Almuth Berger and Markus Meckel, the last foreign minister of the GDR, among others.

In 2024 the German federal government pointed out that all obligations under the agreement had been fulfilled. Claims, it said, should be addressed to Mozambique. After reunification, Germany had paid Mozambique 75 million deutschmarks in development aid, but hardly any of it reached those affected. The 2024 demand has produced no result to this day; there is no compensation.

Those affected also include the men Christian Fenger photographed in Eberswalde from 1987 on. Arnaldo Soares Mendes is still waiting for his share of his wages to be paid out. More about the Madgermanes in Maputo

Sources: German Bundestag, announcement by the SED Victims’ Commissioner on the Federal Press Conference of September 30, 2024; Appell für eine kurzfristig zu erreichende Regelung, August 5, 2024; evangelisch.de, September 30, 2024; taz, Warten auf Lohn seit 34 Jahren.

Photo albums

A selection from the photographic archive, embedded directly from the image library. The complete overview of all albums can be found in the archive.

Screen view with thumbnails of Christian Fenger’s digitized photographs
Ceremony with flags: a young man from Mozambique presents a framed picture, company representatives at the table applaud

1987 to 2027 · Diaspora Mozambique, GDR, Germany

The title “87 | 27” marks a period of forty years: from the first pictures taken at VEB Walzwerk Eberswalde-Finow in 1987 to the planned completion of the project in 2027. Forty years is a working life: the men came as young workers, and in 2027 many of them are reaching the end of their working lives. Between these two points lies a story that reaches beyond the photo archive: that of the Mozambican workers who came to the GDR in the 1980s and of their lives after 1990 between Mozambique and reunified Germany.

This section is under construction. In the future it will make visible the contexts, biographies and connections between the photographs from 1987 to 1990 and the present, as a narrative of its own alongside the photo archive.

Video clips

This is where the project’s video clips are taking shape: passages from the eyewitness interviews in Maputo, from Jason Byrne’s short film “Base Camp Germany” (2014) and from the 1992 ZDF film. The clips will be embedded as soon as editing and approvals are complete.

More interviews with former Mozambican workers from the rolling mill are being recorded. They talk about their time in Eberswalde and their lives today.

Where Christian Fenger’s pictures have been shown so far

Fenger’s pictures do not stay in the archive. They are shown, and each time the same question arises: who are the men in the photos? Sometimes someone comes forward with an answer.

Poster for the event at the Afrika-Haus Berlin on September 30, 2022, with Fenger’s photo of Eberswalde railway station

Eyewitnesses at the Afrika-Haus Berlin

(Afrika-Haus Berlin, September 30, 2022) An evening about the former “contract workers” in the GDR and the years after the fall of the Wall, told through the example of Eberswalde. Christian Fenger’s photographs were shown for the first time. The guest was José Mafueca, who came to the GDR from Mozambique himself and now lives in Berlin.

Memórias Migrantes in Luanda

(December 2023) The exhibition told the story of Angolan workers in the GDR. In Eberswalde, Angolans and Mozambicans lived in the same dormitory at Leninstraße 106 and 108. Fenger’s pictures show the Mozambicans from the rolling mill.

Fengers Fotografien an der Wand der Ausstellung Das Weite suchen im Brandenburg Museum Potsdam

Das Weite suchen in Potsdam

(Potsdam, November 27, 2025, to March 22, 2026) The Brandenburg Museum showed Fenger’s photographs without the names of the people depicted. Only in April 2026 did someone in Maputo recognize Damas Orlando in one of the pictures.

Back in Eberswalde

In 1987 the first men from Mozambique came to the Eberswalde-Finow rolling mill. In 2027 that will be forty years ago. The photomontage shows where HUB 87 | 27 is heading: Christian Fenger’s pictures back in the urban space of Eberswalde, large and public, where they were taken.

Photomontage: a photo by Christian Fenger on a billboard in Eberswalde. Outlook 2027

Credits

Concept, project development and editing

Thomas Balzer

Research and interviews in Mozambique and Germany

Stélio Guibunda

Thomas Balzer

Camera

Stélio Guibunda

Norman Gäbler

Benjamin von Essen

Nils Woitschach

Thomas Balzer

Matthias Seldte

“Amadeu Antonio” (1992)

Georg Denzer

“Überleben in Eberswalde” (2000)

Bert Peschel

“Überleben in Eberswalde” (2000)

Assistant

Nils Woitschach

Web development and technical implementation

Arvid Misc, Thomas Balzer

Photography

Christian Fenger – historical photographs

Collection and archive

DOMiD, safekeeping of the entrusted original prints

With thanks for their support

Andreas Mroß

Arnaldo Soares Mendes

Augusto Jone Munjunga, Palanca EW

Bengü Kocatürk-Schuster, DOMiD

Dr. Britta Klöpfer, VG Bild-Kunst

Kordula Steinke

Mariia Kryvokhyzhyna, EW

Sibylle Hubatschek-Rahn, ZDF

Stélio Guibunda

Uta Ross

Amadeu Antonio (1992)

Written, directed and edited by Thomas Balzer

Camera: Matthias Seldte

Sound: Ed Cantu

Commissioning editor: Sibylle Hubatschek-Rahn

Broadcaster: ZDF, Das kleine Fernsehspiel

Base Camp Germany (2014)

Short film by Jason Byrne and Helge Elisabeth Zeitler

Filmed in Mozambique from 2010, released in 2014

Running time: [add]

Vimeo: [add link]

Überleben in Eberswalde (2000)

Written and directed by Thomas Balzer

Camera: Georg Denzer, Bert Peschel

Sound: Hendrik Büttner, Sören Salzer

Editing: Mathias Paduch

Sound mixing: Jörg Höhne

Narrator: Maria Gräfe

Production manager: Stefan Pahlke

Commissioning editors: Thomas Janssen · ZDF/3sat; Karin Rieppel · DIE ZEIT TV

Production: DIE ZEIT TV on behalf of ZDF/3sat